Play about religious fanaticism at Bucharest National Theatre sparks heated debate
The play "The Prophet Elijah" (Prorocul Ilie), staged at the I.L. Caragiale National Theatre in Bucharest, has sparked a wave of intense reactions immediately after the premiere, with critics labeling it an insult to those holding…
Radu Dumitrescu · Journalist
· Updated · 3 min read

The play "The Prophet Elijah" (Prorocul Ilie), staged at the I.L. Caragiale National Theatre in Bucharest, has sparked a wave of intense reactions immediately after the premiere, with critics labeling it an insult to those holding Christian faith. In response, TNB representatives and the cast of the play say it does not intend to offend.
The play by Tadeusz Słobodzianek centers on Eliasz Klimowicz, a man from 1930s–1940s Poland who proclaimed himself the "Prophet Elijah" and formed a small community of followers. After witnessing a futile wait for the apocalypse, they resort to crucifying their prophet in an attempt to hasten the end of the world.
The director of the play, Botond Nagy, said he aimed to make spectators “examine their own beliefs in a new light and understand the true value of this miraculous human connection that is faith,” according to Libertatea.
However, some felt outraged after witnessing pictures and clips from the play, calling it “blasphemous.” Some even called for a boycott of the National Theatre, a Bucharest landmark, or for the banning of the play.
Following numerous negative reactions, the National Theatre issued a statement saying that the play does not intend to offend the Christian faith or any other religious belief. Furthermore, the theatre stated that certain images shared on social media were taken out of context, leading to a distortion of the play’s message.
"The performance is not blasphemous and does not seek to ridicule faith; on the contrary, it invites reflection on the relationship between humans and divinity. As mentioned on the official website of the production, 'The Prophet Elijah' is an invitation to sincere meditation on faith and religion in a time of profound spiritual and moral crisis," said representatives of the National Theatre. "Theatre is, by definition, a place of questions, not of imposed answers, a space where every spectator has the freedom to interpret and reflect," concluded the National Theatre officials.
Nevertheless, the outrage continued, and Botond Nagy, the director of "The Prophet Elijah", announced on Friday, March 29, that he would file criminal complaints and a petition with the National Council for Combating Discrimination due to "threatening and discriminatory messages" he has received on social media.
Mihai Bendeac, a popular Romanian actor, also weighed in, siding with the director. "For 'heresy' and 'blasphemy,' you guys picked the wrong century. If you had been born in the Middle Ages, you could have burned actors, directors, and spectators alive in the name of God," Bendeac wrote in a Facebook post.


