Romanian film review – Bucharest International Dance FF, TIFF Oradea & TIFF Unlimited

September kicks off the season of Romanian premieres, some of them feverishly awaited, like Corneliu Porumboiu’s Cannes competition feature La Gomera/The Whistlers, already shown in a sold-out special screening in June at Transilvania International Film Festival TIFF. The following months are also full of noteworthy releases. Autumn and winter look good.

Until all these new productions hit the screens, here are three recommendations to bide your time, the last two related to the aforementioned TIFF.

The fifth edition of the Bucharest International Film Festival started on Wednesday and will screen feature and short films of all genres until Sunday, 8 September. Masterclasses, lectures, dance performances, concerts, and parties round up an exciting selection that thinks (and moves) locally (Romanian films both fresh and from the archives) and globally. This is great, mind- and soul- stirring stuff. Check out their excellent website for more details.

The other festival featured today, TIFF, has been a constant promoter of Romanian and international cinema, and of local theatre networks. Going on tour in several cities following the main edition in Cluj in June serves both goals. TIFF arrives in Oradea on 6 September (ending on 8 September) and its second edition features quite a few strong titles. La Gomera is the definite recommendation, but you should also try to catch Șerban Georgescu’s funny and warm take on family and identity Being Romanian: A Family Journal, the short film programmes that are always a fun ride, May el-Toukhy’s hard-hitting Queen of Hearts, Teona Mitevska’s rebellious God Exists, Her Name is Petrunya, or the spectacular survival story Arctic. However exciting the new titles may be, the highlights for any film aficionado are probably the oldest films in the programme. Victor Sjöström’s The Phantom Carriage (1921) is an expressionistic masterpiece filled with dread and unforgettable images as a troubled drunken man is taken on a ghostly ride in order to reflect on his wasted life. This is wonderful material and has lost none of its power to impress and unsettle. The film is projected with live music, and if you can’t get enough of silent horror, do not miss Paul Wegener and Carl Boese’s The Golem: How He Came into the World